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Title: Theory Combo


neoshredder - October 5, 2009 03:40 AM (GMT)

Steve5513 - October 5, 2009 07:40 PM (GMT)
Thanks! I shall give them a read through sometime tomorow.

Little Urgie - October 5, 2009 10:23 PM (GMT)
So, are these the seven modes to the major scale or are these just individual ones?

neoshredder - October 5, 2009 10:40 PM (GMT)
QUOTE (Little Urgie @ Oct 5 2009, 04:23 PM)
So, are these the seven modes to the major scale or are these just individual ones?

Welcome to the forum. On Lesson 7, those are the modes to the Major Scale.

Little Urgie - October 5, 2009 10:51 PM (GMT)
Thank you, glad to be here lol. Wasn't sure if posting in the new section was mandatory. Looked at the threads in there, looked kinda minimal. Am I good?

Cool. I've been trying to see if there are 7 modes to the major scale. looks like that answers that for me!

neoshredder - October 5, 2009 10:59 PM (GMT)
Yeah you're good.

Toth - October 11, 2009 03:36 AM (GMT)
Great post Neo, and I am back btw. Rl circumstances and financial issues have prevented me internet access for quite some time. It's good to be back.

-Toth

Acousolysis - October 11, 2009 11:28 AM (GMT)
Good to have you back on board, Toth!

neoshredder - October 11, 2009 07:10 PM (GMT)
QUOTE (Toth @ Oct 10 2009, 09:36 PM)
Great post Neo, and I am back btw. Rl circumstances and financial issues have prevented me internet access for quite some time. It's good to be back.

-Toth

Cool. Glad to have you back.

Electric Jake - November 24, 2009 11:21 PM (GMT)
Great stuff, worthy of sticky!

Eagle - November 25, 2009 04:12 PM (GMT)
thx for info i must say it really good for someone who is good in thory and looking for some stuff in neoclassic but do you have maybe a stie or someone guide here in the site that explain perfect about that stuff even for begginer in neo clasi and in theory?

neoshredder - November 25, 2009 08:03 PM (GMT)
I did my best. I took theory class and most of it wasn't so much about neo-classical sound. But I thought I picked the areas that most guitarists are interested in.

malikshreds - December 27, 2009 09:03 PM (GMT)
You should explain chord progressions.

neoshredder - April 10, 2010 01:16 AM (GMT)
QUOTE (malikshreds @ Dec 27 2009, 03:03 PM)
You should explain chord progressions.

Alright the most common chord progression is I IV V. If you are in C Major that would be CMaj to FMaj to GMaj. The V chord is very important as it gives a dominant sound which often goes back to I chord. The I chord usually starts and ends a song as it gives a finalization feel to it. You can experiment with using the other chords like Dmin, Emin, Amin, and Bdim to get more interesting progressions. Rules are meant to be broken though and you can deviate from the usual patterns of chord progressions. Adding extensions (see theory lesson) to make it more jazzy. Great to solo over as well as adding melodies that sound good with that chord. You can do it in the minor keys as well.

neoshredder - October 3, 2010 01:59 AM (GMT)
To add to that you can use chords like diminished 7th to lead to another key. So if you are in G Major and want to lead to d minor or something, use C# dim7 to change keys to D minor. A half step below the next key change. I believe that is called modulation. So yeah you can mix the chords up as well and totally deviate from chord progressions using chords outside the scale for extra colour. Power chords use the first note and 5th note of the chord in that scale and leaving out the 3rd.




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